24: Live Another Day 9.03: Day 9: 1PM - 2PM
Sang Kyu Kim and Patrick Somerville
Adam Kane
One of the claims of the 12-episode format
for 24: Live Another Day is that it
would cut out much of the “filler” and tighten up the storytelling. But what, precisely, should be considered “filler”? It can be a fine line between character development
and navel-gazing, and there were a few moments in this episode that made me
wonder if the writers stepped over that line.
The episode started off with promise. Simone (the gorgeous Emily Berrington) is
trying to get back to her mother, Margot Al-Harazi (Michelle Fairley), with
Jack in pursuit. Meanwhile, Kate
(equally gorgeous Yvonne Strahovski) and Erik (Gbenga Akinnagbe) are chasing
down Jack. All of which ought to make
the whole situation tense and exciting, but it stretches out in some strange
ways, making it feel a lot slower and longer than the “real time” ticker
demonstrates.
Even so, it was far better than the
revelation of what sent Chloe off the edge in hacktivism. Here’s where the writers show a distinct lack
of common sense. While I acknowledge
that there is a populist angle to the whole WikiLeaks concept, there are some
legitimate criticisms of their operations.
The biggest one, in my mind, is what Jack pointed at in the premiere:
very often, releasing confidential documentation means exposing deep cover
intelligence agents, their families, and their contacts with no regard to the
consequences. There are several examples
of how WikiLeaks has done this without a shred of remorse.
The idea that Chloe, a character that spent
more than a decade fighting terrorists and others who very often were
explicitly trying to expose the identities and details of intelligence agents,
would overlook or justify doing the same is ridiculous. But now the writers are telling us, plain as
day, that Chloe’s current status is the direct result of her husband and son
being killed, presumably because someone who knew her identity went after her
loved ones.
If anything, wouldn’t that make Chloe even
more cognizant of the impact that intelligence leaks might have? Wouldn’t someone with Chloe’s moral compass,
ready to jump right back into helping Jack save the President in a matter of
minutes, have considered the consequences before jumping in with both
feet? Unless it is revealed that the
hacktivists have something over Chloe that has compelled her to work with them,
it is a completely ludicrous character development.
If I had more trust in the writers, I would
point to the fact that Chloe’s justification for her activities (which she
herself would once have labeled as “terrorist”) is not all that different from
Al-Harazi’s rationale. It’s merely a
matter of scale of response. Margot
truly believes in what she is doing, has taught Simone to act according to that
same philosophy, and is willing to sacrifice anything in the process of gaining
her revenge. It would make for a
compelling comparison and philosophical discussion, but that’s not something
that 24 has ever been able to handle
well.
Meanwhile, there is the all-too-familiar machinations
taking place in the Heller administration.
Mark is setting up Jack Bauer to be renditioned, which is ostensibly to
ensure that Audrey doesn’t go back into a mental institution, but is likely
more sinister in scope. Because that’s
how things work in the 24
universe. Similarly, Heller wants to
give a conciliatory speech to Parliament, and it goes hilariously wrong. As in, members of Parliament actually heckle
the President of the United States in public.
How would this not create an international incident, by the way?
On the CIA front, Kate continues to be the
latest Jack Bauer-in-training, yet even the characters are tossing a lampshade
on the ridiculousness of her character history.
Kate is supposed to be one of the most perceptive agents around, and yet
her husband was supposedly selling state secrets. This is supposed to be her last day on the
job, after all! But even if Kate is as
awesome as she’s supposed to be, who can prepare for Jack Bauer shooting
protesters in the legs as a diversionary tactic?
I’ll just close that the moral ambiguity of Jack shooting innocent protesters in the name of the greater good is still easier to reconcile than Chloe’s character decisions.
- Simone is going to be a lot of fun
- Jack isn’t back to being entirely sympathetic
- Odd lack of action until the very end
- Chloe’s ridiculous character turn
Degenerate Johnny
DISSENTING OPINION