Game of Thrones Review by John Keegan

Game of Thrones 6.01: The Red Woman

Game of Thrones 6.01: The Red Woman

Written By:
David Benioff and D. B. Weiss
Directed By:
Jeremy Podeswa

For the first time since the dawning of the series, both the readers of the source books and the viewers of the show are on an even playing field.  There are elements that will always benefit from the deeper perspective that the readers have enjoyed, but in terms of the events themselves, it’s abundantly clear that Game of Thrones is charting new territory and, in some cases, deliberately taking a different path towards a presumably similar end.

 


 

As with most season premieres, this is all about revisiting and incrementally advancing the various storylines that were left in play during the previous season’s finale.  That means barely touching on certain items before moving on to the next locale, and so as nice as the refresher might be, there’s a certain lack of depth.  This is oddly true even for the question of the events at the Wall, where one would be forgiven to expect quick and easy answers regarding the future (if any) of Jon Snow.

 

So to address the main point that many wanted answered: Jon Snow is, in fact, dead.  But can we all agree that this was not actually the point in dispute?  Who actually thought he survived?  The question is not whether he is alive or dead, but rather, if he’s going to stay that way.  And while this episode seemed to suggest that he will remain dead, the lack of immediate answers on the disposition of his body keeps the door ajar on resurrection.  Of which there are several possible means, not the least of which is the titular Red Woman.

 


 

Instead, time is spent on the aftermath of Jon’s death, and the power struggle between his few remaining allies and Ser Thorne.  Ser Davos leads the band of Jon’s supporters and helps to formulate a winning strategy that no doubt employs many of the Wildlings in the vicinity.  It’s just a continuation of the debate that began when Jon decided to let the Wildlings to pass through the Wall, and that makes sense.  His murder was part of the longer struggle over the role of the Wall and the looming threat of the White Walkers.  That struggle doesn’t end with Jon Snow.

 

Letting Jon remain dead is important because it doesn’t give that internal strife an easy outlet.  And it also give Melisandre more reason to doubt herself and her understanding of what the future holds, coming so soon on the heels of Stannis’ defeat.  In a nice reveal, we learn that Melisandre has been around for much longer than previously assumed, and that’s an important point.  She’s had a very long time to consider her actions and to see the shape of things to come.

 


 

Also in the North, Ramsey discovers that losing his hold over Sansa and Theon/Reek was not a good strategic move.  Having them relatively intact and under the power of the Boltons meant that the allies of the Starks and Greyjoys had little reason to resist following the flayed-man banner.  Ramsey gets told rather abruptly that he had better solve that problem or be ready to find his status as heir removed.  What he probably doesn’t count on is how Sansa and Theon have found common cause, or the timely arrival of Brienne of Tarth.  It’s going to be good to see Brienne actually doing something other than wander the countryside!

 

Lord Bolton wants to solidify his hold on the North because the Lannisters are in complete disarray.  Jamie returns home with Myrcella under a shroud, and it just adds to Cersei’s misery.  Jamie is rather stunned to see how far the Faith Militant has gone and how powerful the High Sparrow has become, and it looks like he is primed to take up the fight.  What will be interesting is whether or not they come to Margaery’s aid.  Cersei would like nothing better than for Margaery to suffer the same humiliation she endured, but angering the only son she has left may be too much to contemplate.  Not to mention that when all is said and done, Cersei wants her son ruling with mother close at his side.

 


 

Further south, other powers are taking advantage of the situation as well.  Ellaria Sand has decided that Prince Doran is not strong enough to lead Dorne into the future properly, and thus has Doran and his son dispatched brutally with the help of the still-disappointing Sand Snakes.  This seems like the biggest departure from the intentions of the source material, especially since there is a subplot that was removed from the adaptation that changes the intentions of Dorne as a whole significantly.  Who might take up leadership among the Martells, or some rival Dornish family, remains to be seen, but it is likely that the hints of an impending move by Dorne against King’s Landing might happen sooner rather than later.

 

Across the Narrow Sea in Braavos, Arya continues to deal with the consequences of her decision to work outside of the strictures of the House of Black and White.  It’s interesting enough that she would be left to deal with blindness on her own, but it seems that this is less an end-all punishment and more another step on the journey.  Arya can’t possibly be the first assassin-in-training to incur this punishment, and it certainly seems as if this is being used to further her training overall.

 


 

In Meereen, Varys and Tyrion are doing their best to get a handle on the state of play following the slaughter in the fighting pits, but things are not as simple as one might hope.  The Sons of the Harpy are still running about, it seems, and with some kind of significant support.  One can only hope that this does not turn out to be an excuse to have the Meereen situation last another whole season, because there is only so much stagnation one can be expected to take.  The burning of the ships in the harbor doesn’t exactly bode well in that regard, however.

 

Also unfortunate is Daenerys’ fate at the hands of the Dothraki.  I’m not sure what Dany thought would happen when she listed her credentials and mentioned her marriage to Khal Drogo, but did anyone think it would turn out to be a kind and generous fate?  For some reason, I was dreading the notion that Dany would reveal herself to be a widow to a Khal; perhaps exile to Vaes Dothrak was mentioned somewhere in the novels.  Regardless, this is another diversion from her stated goal of getting back to Westeros, so I gather it is what might happen along the way to get the Dothraki to back her in reclaiming Meereen that is the true purpose.

 


 

With a great deal of rumbling about this being the last ten-episode season, with perhaps a total of thirteen episodes stretched across the final two seasons, there is a greater sense that the narrative needs to drive towards some measure of a final resolution.  Granted, with a seeming minimum of 22 episodes left, there’s time to bring the threads together at a somewhat leisurely pace.  Even so, the previous season left many feeling like the story was being stretched out too long.  It wouldn’t be a terrible idea to start giving the audience a sense that even tiny pockets of stability are emerging in the long struggle.


Our Grade:
B
The Good:
  • Sansa’s story takes a positive turn
  • Readers and viewers are on the same playing field for once
The Bad:
  • Meereen continues to be a stone around the narrative’s shoulders

John Keegan aka "criticalmyth", is one of the hosts of the "Critical Myth" podcast heard here on VOG Network's radio feed Monday, Wednesday & Friday. You can follow him on twitter at @criticalmyth

Game of Thrones by - 4/25/2016 12:45 PM220 views

Your Responses

Flaco_Jones
Flaco_Jones
CONCURRING OPINION

Grade: B+
More than anything I liked seeing Sansa'a story take a a turn for the better. When Brienne and Pod came riding in to save the day, it may have been one of my favorite sequences from the show ever. The rest of the episode was solid, if a little slow, and it is frustrating to have everyone so spread out still. While I figured they weren't going to solve the Jon Snow problem right away, I hope it isn't stretched out too long.

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