Person of Interest 3.18: Allegiance
Tony Camerino
Jeffrey Hunt
After the stunning triptych that concluded the HR arc, Person of Interest hit a bit of a lull. Besides
the highly intermittent scheduling, the need to leaven the long network season
with some episodes less demanding of cast and crew led to some hits (Reese on a
plane, good) and misses (letting an art thief, however compromised, walk, bad.)
The previous episode, "/", saw the show return to its central story,
the continuing evolution of the Machine and the looming conflict with its
bad-boy cybernetic brethren, Samaritan. Also, the Machine deftly maneuvered Root,
its most fearsome acolyte, into finally feeling empathy. Ostensibly, a battle
lost, but in favor of ground work for an eventual victory.
"Allegiance" marks the return of another familiar format,
the seemingly stand-alone Number, whose story feeds into the ongoing action. With
some of the immediate action being a tad predictable (always beware of Greeks
bearing gifts, for instance,) it's those connections to the imminent battle of
the AI Gods that keep the episode afloft. It also helps that the new additions
to the teams finally feel fully integrated, yielding some delightful new
combinations. Shaw and Fusco in a car are battling Kennex and Dorian for best
buddy banter of the year.
In keeping with its evolution and new role driving the
team's actions, the Machine's graphics have become more and more central to the
plot. "/" ended with a threat matrix for Samaritan, tagging all of the regular
players plus an unknown, Maria Martinez. When "Allegiance" opens with
generators in Iraq blinking off the grid, it's no surprise that Maria's Number
is the one sent to Finch.
Between the opening credits shift from irrelevant 'crimes'
to 'people', CBS' promos trumpeting "Who will they save?", and the good
vs. evil battle lines growing ever sharper, I long ago made my peace with
Numbers invariably turning out to be victims, and not perpetrators. That shift
means the attempt to paint Maria as a possible terrorist falls flat. I assumed
the 'package' she received contained documents from the moment it was handed
over.
However, the strength of
the show is watching the team in action. Reese shrugging off his multi-story crash
through a window, Shaw winning the Root nickname sweepstakes with
"cochlear cuckoo", and Lionel playing with the fire truck's horn more
than made up for the more predictable elements. Fusco, in particular, came to
the fore with a steady stream of wisecracks. After a respectable period of
mourning for Carter, Fusco is finally coming into his own, bouyed by a newly-minted
notoriety and respectability.
Aside from the generators
winding up as Samaritan's power source, the main connection to the bigger story
comes from Root's pursuit of Mr. Greer. The opening skirmishes of the war are
joined as Samaritan cuts off the Machine's eyes and ears. Notably, it does take
a human action, Greer palming off his phone, to complete the subterfuge. (It
also allows an Easter egg to slip in when Root extricates herself from the
wrong man with, "I thought you were my uncle," which is what John
Nolan is to executive producer Jonathan Nolan.) For all their capabilities,
there is good reason for the Machine to shore up the less-predictable human
factor on its (or, for Root, her) side.
- Strong connections to the series arc
- Brilliant team dynamic
- Bear was back in action!
- Some episodic plot elements were predictable
- Maria's purpose in the story was too apparent
- Your Mom