TV Review: Flying Under Black Sails
Black
Sails
is an interesting animal. On paper, it
is something of a prequel to the book “Treasure Island”, but it takes full
advantage of being a mature-audiences series on Starz. Considering that “Treasure Island” is
supposedly a children’s book, that is a strange direction for the series to
take. One might be tempted to toss the
whole connection to “Treasure Island” out the window, but despite the oddity of
the combination, the plot is heavily based on the backstory of the Robert Louis
Stevenson novel.
Not only is there a young John Silver (with
both legs intact), but the main character is Captain Flint, the fabled pirate
whose treasure is at the heart of the novel’s quest. Soon enough, there are character introductions
that likewise fit into the novel’s tapestry, such as Billy Bones. But at the same time, these characters are
taken out of the semi-sanitized world of a children’s novel into a more
realistic depiction of the “Golden Age of Piracy”.
That means that Captain Flint is not only
fighting to keep his crew focused on a risky gambit to hunt down a treasure
ship (ostensibly, the source of the Flint’s eventual treasure), but also
competing with infamous figures of the time: Charles Vane, Anne Bonny, and so
on. It’s neat to see the intersection of
historical and fictional, and the combination allows for a bit of liberty with
both. For example, some people who ought
to be alive according to both history and novel are apparently dead before the
season ends!
Black
Sails
was also infamously picked up for a 10-episode second season before the
8-episode first season even hit the air, largely based on the enthusiastic
reaction of attendees to San Diego Comic-Con.
I would hope that Starz had little reason to regret this decision,
especially given that the series was consistently strong throughout.
In terms of style, the series looks like a
combination of Michael Bay, Assassin’s
Creed IV: Black Flag, and Game of
Thrones. The presentation is
colorful and slick, but doesn’t skimp on the character depth. The ability to show skin means a rather
prominent brothel and lots of nudity and sexuality. And that means some of that “sexposition”
that Game of Thrones has become
famous for, so be forewarned. Rather
than try to toss major action sequences into every episode, there are two main
ship combat moments in the series, and the episodes leading up to both provide
the necessary context for that combat.
This emphasis on the characters is also a
compelling way to demonstrate how most of the “pirate republic” was dominated
by politics and economics, not firepower.
Simply getting the money needed to obtain the supplies, guns, and crew
needed to engage in that combat was an major undertaking, and largely dependent
on the reputation of the captain involved.
Black
Sails
also took pains to show how Nassau and the settlements under its thrall avoided
many of the societal sins of the “civilized” world. Women and people of color had far more
opportunity in Nassau than the rest of the western world, and this is notable
within the story itself. It doesn’t try
to pretend that life was perfect in Nassau if you weren’t a white male, but
it’s a far sight better than what the British or Spanish would allow.
The main issue with this relatively short first
season is the lack of a solid resolution.
While the mutiny against Flint in the season finale (in the midst of a
truly impressive naval combat sequence) was certainly a highlight, and the
treasure of the Urca could very well
be the treasure that Flint ultimately hides, there’s not much in the way of a
cliffhanger. As was said by Bronzethumb
on The Critical Myth Show, if it hadn’t been touted as a season finale, one
could have easily assumed that another episode was coming the following week!
That doesn’t change the fact that the series
has been consistently above average, and in the long run, where episode
streaming and “mainlining” might eliminate any concerns about a soft season
finale when the next episode is a click away, what is seen as the traditional
structure for a season may not be quite so meaningful. One can only hope that the second season can
maintain the same standard of quality.
- Consistently strong cast
- Good mix of history and fiction
- Excellent naval combat
- Weak season finale
- Mature content may not be for all viewers