Movie Review: Rogue One
"I've
got a bad feeling about this." The seven Star Wars films so far have each
had one character say this line. It's writer-director George Lucas' way to link
each of the films in a circular manner. With Rogue One: A Star Wars
Story, the first of many side stories from those seven films, that line
seems apt in functioning as a bit of foreshadowing. This film, set right
before Star Wars: A New Hope, is a story about the Rebel Alliance
and its nascent war with the growing Imperial Empire. And seeing as how there
aren't many of the film's characters present in Star Wars: A New Hope,
I had a "bad feeling" in the lead-up to watching it.
For
the first time since probably Episode III: Revenge of the Sith,
there exists the very real possibility that a Star Wars-related film would end
with the bad guys slaughtering the good guys. No one would survive this. And
that fact adds a sense of urgency to the proceedings that wasn't really present
in the original trilogy films. That also includes The Force Awakens,
which was supposed to be a continuation of the original trilogy, but ended up
largely aping the plot to A New Hope with the aesthetics
changed. So while every other Star Wars film is really a space
adventure (except perhaps The Empire Strikes Back and Revenge
of the Sith), Rogue One is unmistakably a war movie.
The
mission Jyn Erso (Felicity Jones) and Cassian Andor (Diego Luna) and Chirrut
(Donnie Yen, practically stealing the movie with his one-liners and what will
likely be another super-popular mantra with fans) and Baze (Wen Jiang, playing
arguably an underrated and my personal favorite character in the film) partake
in is a particularly dangerous one. It's practically a suicide run with no real
hope of getting everyone back alive. This gives a lot of context and weight to
Mon Mothma's line in A New Hope about "a lot of people
(dying) to get the plans to the Death Star" to the Alliance.
A lot
of the movie provides more connective tissue to the original trilogy of films
than just that single line. But it has no tangible involvement with the story
of the Skywalker family. Only Darth Vader makes a couple of brief appearances,
still menacing and fear-inducing as he ever was in A New Hope. This
at least redeems his most recent appearance in a Star Wars movie (memorably, or
at least infamously, screaming a prolonged and anguished "No!" to the
universe).
The
Death Star is newer and likely in its test phase, yet the impact of the weapon
when being used is much more terrifying than it was when used in A New
Hope. When the laser cannon is fired, you know that only bad things will
happen in the aftermath. There are also some nods to the original trilogy
nicely sprinkled throughout the film. They would only be recognizable to the
die-hard Star Wars fanatics. It also, amazingly, gives context to some
questions one might have in A New Hope. For instance, how exactly
the Death Star plans got into Princess Leia's hands. Or how the Death Star got
the flaw that would prove to be its ultimate doom. Still, the film is
enjoyable even if someone had no idea what those nods were.
Following
these never-before-seen characters does allow for Rogue One to
function on its own. The audience is invested in the stakes of the plot. It
takes a little while for the film to get itself going, which includes a little
detour that involves finding a crucial character while also dealing with a few
betrayals to give the plot a little bit of spice. Actually, those
"betrayals" give a bit of shading to the internal politics of the
Rebel Alliance itself, as well as ask the usual ethical questions anyone would
grapple with in a time of war. It's not until the Rebel Alliance figures out
that they need to steal the plans to the Death Star that the film truly coalesces.
- The third act is possibly the best set of action sequences in the history of the franchise
- This film manages to tie into the original film in ways that actually improve it
- Characters like Chirrut are instant breakout additions to the canon
- The first hour or so drags here and there, as the film finds it rhythm
Flaco_Jones
CONCURRING OPINION