Star Trek: Discovery 1.07: Magic to Make the Sanest Man Go Mad
Aron Eli Coleite and Jesse Alexander
David M. Barrett
One of the most time-honored plot devices in
the Star Trek fold is the time
loop. For that matter, it is a fan
favorite when applied to just about every science fiction franchise that has
seen any measure of success. So it’s not
at all surprising that Star Trek
Discovery would deliver an episode based on a time loop in its first
season, and given the pedigree of the series as a whole, it works fairly well
and delivers an interesting set of solutions.
It’s also an episode that continues the story
of Harcourt Mudd on Discovery, and if
the first appearance seemed to be a bit out of sorts with expectation, that is
even more true in this situation. Mudd
is murderous and remorseless, both of which seem far from the character that
was introduced in the original series.
Not only that, but the main canonical connection made to point to the
original series, the actual appearance of the famed Stella, doesn’t seem to
match with the banshee that she was shown to be in the 1960s.
I continue to believe that this is because the
current series could never portray Mudd in the manner he was crafted in the
original series because that level of creepy misogyny simply isn’t palatable
anymore, at least not to the same degree.
Mudd has to be a slimy con man by the measure of 2017, not 1967. And that means Stella isn’t simply a
screeching shrew of a “housewife”, she’s an equal partner in his schemes who is
more irritated by his attempts to weasel out of her clutches than anything
else.
It’s puzzling, because while I personally can’t
stand Mudd in the original series, he is popular enough to nostalgic fans that
his appearance in Discovery was
apparently an exciting prospect.
Questionable charms aside, that’s not the character that ultimately
appears; this version of Mudd is more violent and somehow even more
self-serving. And in an odd way, that
mirrors what many people say about Discovery:
lots of people were clamoring for a return of Trek to television, but this is not the Trek that was requested. It’s
a different animal.
And yet, once the changes to Mudd are stripped
away, the episode largely succeeds because it does something that I and others
have been asking for since the premiere.
We finally see enough of what is going on in Burnham’s brain to
understand why she acts and thinks the way she does. Some might say that it was self-evident, but
I maintain that there was a lack of connection with Burnham that was
problematic for a viewpoint character.
Somehow, this episode frames it in a brand of guarded introversion that
makes sense of the whole “trauma and Vulcanism” that didn’t quite add up
previously.
In general, the “time loop” conceit is
successful because it allows the narrative to focus on the decisions and quirks
of a small handful of characters in the process of finding a solution. Of course, Burnham is central to the story,
as one would expect, but Stamets and Tyler get a lot of great screen time. Stamets, in particular, has really grown on
me, and his personality shift due to his connection to the spore drive (also a convenient
plot device) makes him even more well-rounded.
The main issue with this episode, frankly, is
the same issue that seems to have plagued the series to date: a lot of the
story still feels like it’s glossed over details in odd ways, which gives the
odd impression that the writers are holding the audience at arm’s length. It’s hard to get invested in this series for
some strange reason, and while Burnham’s nature as the central character doesn’t
help, the writing itself also seems to perpetuate that disconnect. It’s an odd thing to watch a Trek series and feel like the writers
want you to experience it with a somewhat detached mindset.
- This is a solid episode that is perhaps the most stand-alone installment yet
- Mudd may seem out of character, but Riann Wilson plays him beautifully
- Burnham continues to be a difficult viewpoint character