Star Trek: Discovery 1.09: Into the Forest I Go
Bo Yeon Kim and Erika Lippoldt
Chris Byrne
If it wasn’t made very clear by the promos and
such that this was only a mid-season finale, one might have been tempted to
consider it the culmination of the entire season arc. For one thing, this is a huge turning point
in the war against the Klingons, and it brings some other subplots to a nice
boil. On the other hand, those of us who
may have been looking for more depth to the character exploration would appear
to be getting our wish in the second half of the season.
This series is still trying to find its pacing,
often rushing through ideas when a bit of meditation would be worth the
time. And despite all of the action in
this episode, it spends a good amount of time digging into the characters with
major internal conflicts. Tyler, in
particular, shows a seriously problematic level of PTSD that shows how the
mixture of torture and intimacy has scrambled his brain. It should be interesting to see if his
relationship to Michael will turn out to be part of a future solution. As loathe as I am to have a story “solve” a
mental illness through something as semi-magical as Vulcan discipline or mind
melds, the fact remains that Michael suffers with some PTSD of her own.
Speaking of Michael, her journey comes full
circle as she faces off against Kol, the current contender for leader of the
Klingon Empire. Kol taunts her with the
memory of her former captain, and the audience is reminded several times over
that Michael is more or less responsible for the initiation of the war
herself. And so doing what it takes to
ensure the off-book mission to turn the tide is successful, at great personal
risk, is a nice way to steer her character to a personal point of closure.
Both highlight something about Captain Lorca that
the writers have been very consistent with from the start: this guy has major
issues and could end up being as notorious as the several other Starfleet
commanders who went off the rails and abused their power. If anything, it’s fascinating to have an
actor as solid as Jason Issacs playing that sort of rogue command figure,
because he makes an arguable madman seem reasonable at times. He completely overlooks the issue of sending
Tyler back onto a Klingon ship, doesn’t see how Michael’s past would drive her
to succeed, and is willing to sacrifice Stamets as a means to an end.
And if there is one glaring example of
overwriting in this episode, it’s Stamets.
If someone didn’t find it beyond obvious that Stamets was going to have
a major problem with his final jump, then I have to wonder if they are paying
attention at all or simply more dense than a neutron star. They beat that foreshadowing into everyone’s
skull so effectively that it made the characters who didn’t see it coming seem
rather foolish and incompetent as a result.
But the end result is that Discovery takes what appears to be a left turn away from the war
with the Klingons (which can more or less attend to itself now) into hopefully
uncharted territory. Not only will that
give the crew time to implode, particularly Tyler, but it will also give the
writers plenty of time to demonstrate why the spore drive is a horrifically bad
idea. This mid-season finale makes it
feel like the first half of the season was prelude to the real story, and that
heightens my interest in the series as a whole, to say the least.
- Brings the first half of the season to a fever pitch and apparent close with solid storytelling
- The foreshadowing with Stamets was overdone to the point of absurdity