The 100 1.03: Earth Kills
Elizabeth Craft and Sarah Fain
Dean White
After the previous episode, I was wondering
how far The 100 would be able to go
in terms of replicating some of the morally questionable angles of its clear
inspiration, The Hunger Games. Well, this episode certainly answered that
question! In fact, it feels like the
writers and producers are trying to bring some of the elements of The Walking Dead to the mainstream
networks, and I’m very happy to see it.
I suppose I shouldn’t say that I’m happy with
the idea of teenagers killing and getting killed in all sorts of interesting
ways. But out of the original 100
exiles, they are already down to 95. Any
thought that the teen population on the ground would somehow been safe from the
attrition taking place up in the Ark is now moot. And guess what? It turns out that some of the prisoners were
sequestered from society for a damn good reason.
Two high-profile deaths took place, but the
circumstances were very different. Atom’s
death became a test of Clarke’s sense of pragmatism and mercy. Bellamy and others chastised Clarke for
holding on to the hope of Jasper’s survival, but none of them seemed to
understand the key to that hope: evidence that there was a way to help him heal
from his wound. Atom’s horrifying wounds
from the acidic fog were never going to be healed, and a quick death was the
best thing Clarke could offer. That they
showed Clarke stabbing his jugular right on camera was a startling statement.
It was also foreshadowing to Charlotte’s
actions at the very end of the episode, and here we see how the advice to “killing
one’s demons” can go very, very wrong.
Charlotte’s nightmares about her parents being spaced mirror Clarke’s
own memory of her father flying out of the airlock (again, directly shown, not
just described), so a direct comparison of Clarke’s capacity for forgiveness
and mercy to Charlotte’s insane resolution to her ongoing psychological trauma
is certainly intended. That doesn’t make
it any less disturbing, and Charlotte’s expression is chilling, to say the
least.
The implications are vast. Atom’s death was the result of external
threat; Wells’ death is internal to the group.
The question becomes: what other individuals among the exiles might be
equally psychotic? And of course, this
was the Chancellor’s son, so when his death is revealed to his father, what
will that mean? Clarke’s reaction ought
to be interesting enough, since she had come to terms with Wells’ innocence in
the matter of her father’s death.
Speaking of which, if her mother is trying to get to the surface to
check on the exiles, what kind of reunion are they likely to have now?
If there was a weakness to the episode, it was that the use of flashbacks to flesh out the truth about Clarke’s father and the politics of the Ark meant that the “present-day” issues on the Ark were deferred to the next installment. Even so, the flashbacks didn’t hold back, and there is a certain mythical resonance as events transpire. (I was detecting something of a riff on the Superman origin stories, to be honest.) But it’s a minor point, given how much of the rest of the episode worked for me.
- The stakes rise in compelling ways
- Nice layering to give meaning to the deaths
- The crisis on The Ark was only in flashbacks