The 100 1.04: Murphy's Law
T. J. Brady and Rasheed Newson
P. J. Pesce
After Charlotte’s shocking decision to slash
Wells’ throat at the end of the previous episode, I was a bit worried that the
writers would back off a bit. Or,
alternatively, try to set up a strict definition of right and wrong among the Exiled. Thankfully, while the immediate situation is
resolved, the new sense of law and order is not much better than what they had
in place. The only difference is that
Bellamy has been forced to abandon the notion of “do what you want” as a guiding
principle.
The notion of absolute freedom is very attractive
as a philosophical ideal. So long as one
holds onto a strict definition of individualism, or lives apart from the rest
of society, it’s largely viable. But as
soon as other people are involved, there is a geometric expansion of
accountability. It then becomes a
balance between freedom of the individual and good of the society, and there
has yet to be a perfect equilibrium found between the two.
One major advantage of “government”, however
much one might dislike the very notion, is the ability to overcome the danger
of the mob mentality. I love how well
the episode depicts this problem right at the start, when the Exiled choose to
turn on Murphy and string him up. As
with the previous episode, very little is held back; Murphy is actually hung
for quite some time before Charlotte’s confession earns him a reprieve.
And then the ugliness really starts. Murphy was a complete jerk, someone
ill-suited for any measure of power over others, and so I’m sure a lot of
people wanted him dead. Charlotte’s a
younger girl, and clearly has a warped sense of right and wrong. Pragmatically, she has to be punished, as
does Murphy in the end, but overcoming the lack of law and order is the
trick. And seeing as they came out of a
society where any crime was punishable by death, there is a natural tendency to
avoid anything nearly so strict.
All that said, I feel like the Exiled are
fooling themselves when they back away from executions in favor of
banishment. They have just enough
evidence at this point to suspect that someone on their own would have very
little chance of long-term survival. So
is this mercy or justice, or merely a way to assuage their guilt over the
responsibility for killing one of their own as punishment? After all, if they can convince themselves
that Murphy’s death would be some fault of his own, or an act of nature, then
how can it be their fault? Yet,
objectively, is the intended purpose any less lethal?
It was inevitable that Clarke would assume
some degree of authority over the Exiled (now down to 94), but I’m not so sure
that’s a good thing. Bellamy has tried
to be the leader, and he failed miserably on his own. Forming a Council is usually the best way to
go, but that still puts the burden on those who step up should anything go
wrong. And without a clear sense of
justice or law, that’s not the greatest position to be in at the start. On the other hand, the vast majority of the
Exiled seem to be more willing to follow than lead, so what choice did Clarke
really have? At least she’s a more
convincing lead character than many other teen dramas out there! (Looking right at you, Star-Crossed.)
Back on the Ark, the drama unfolds as one
would imagine it should. Abby’s intense
desire to find and save her daughter is heightened when Clarke’s wristband stops
transmitting. Breaking the law to
achieve her goal is inevitable, and given how often they’ve reinforced the
strict code on the Ark, I don’t see how she’ll be allowed to live. If she gets another reprieve from the Commissioner,
is this a sign that the conditions on the Ark are eroding the society that they’ve
been trying to maintain? The message
seems to be that both the Ark and the Exiled will need to find a new way to
operate if humanity is to survive.
- Very little compromise on consequences
- Romance elements are thankfully minor
- Surprisingly topical in current political climate
- Charlotte’s choice was a bit too telegraphed