The Flash 3.01: Flashpoint
Greg Berlanti, Andrew Kreisberg, and Brooke Roberts
Jesse Warn
A recap of the end of an uneven second season
of The Flash put simply: Our titular
hero, Barry Allen, became so dissatisfied with the aftermath of his defeating
Zoom by foot race that he cavalierly went back in time to stop the
Reverse-Flash from murdering his mother. Thus, he changed all history, erasing
all that had happened in the previous two seasons. It's about as selfish an
action and decision as one could make.
The bright side to that action taken by Barry
Allen is that it now sets the table for this show to depict arguably the most
famous storyline in the history of the Flash
comics: Flashpoint. So now, of course, Barry has to live with whatever changes
in the timeline that spring forth from his decision to save his mother Nora.
They are fundamental, though likely temporary, changes. And most of them don't
really make any sense. That is what you get when a show like this wades in deep
with time travel paradoxes to be used as the crux of storylines.
What I liked about the Flashpoint Paradox animated movie about the Justice League released
a couple of years ago was that Barry Allen knew immediately that the alternate
timeline he created by letting his mother live was wrong. So he spends the rest
of the movie, along with the iconic members of the Justice League, trying to
fix the damage that he created. The live action series tries to do that, but
only to a certain point. The writers want to show that there's something wrong
with this alternate timeline that Barry has created, but hold off on doing so
until about mid-way through the episode. Like "Welcome to Earth-2"
from last season, the writers want to revel in the myriad differences and
changes from the original timeline that have sprung up from Barry's incredibly
selfish decision to save Nora Allen from being murdered by the Reverse-Flash.
For the most part, things are pretty good with
Team Flash. Both of Barry's parents are still alive (and seem like the most
decent, good-hearted people in the world), Wally has taken up the Flash mantle,
fighting odd villains like the Rival, with Iris being his only (secret) support
system, Cisco is rich and running his own Apple-like tech company, and Caitlin
is a pediatric opthalmologist. Only Joe gets the bad part of this alternate
timeline, and the worst thing about him is that he's somehow a drunk who rarely
shows up to do his job as a detective. Barry struggles to bridge loose
connections with both Joe and Iris, and it would be understandable for them to
ignore the guy since they never grew up with him.
All the time, it feels like Barry is detached
from this timeline. Sure, he has his parents, but that doesn't seem like it's
enough for him. He seems to want his old life back. Which begs the question as
to why he keeps the Reverse-Flash alive and in a power-dampening cell that no
one else knows about. The only reason I can think of is that both Barry and the
show needs the Reverse-Flash to be alive in order to explain what is happening
to Barry when he starts to lose his memories of the original timeline. That
gradual loss of memories is the odd impetus for the latest in a series of
selfish decisions by Barry to once again change the timeline. Only, it's not
really a change of the timeline so much as a restoration of the original
timeline by having the Reverse-Flash kill Nora all over again.
It would be cruel to go to this well again,
except the show has already done so before. It's become really frustrating to
see this show, which was once quite good with its handling of multiple
storylines, spin its wheels again and again. Everything is back to normal now,
except for an estranged relationship between Joe and Iris, which isn't the most
earth-shattering development. One gets the sense that's only the tip of the
iceberg.
The "Flashpoint" storyline will be dragged out through the beginning of this season, mainly on this show, but the producers have hinted at it possibly affecting the storylines on the other DCW shows of Arrow and Legends of Tomorrow. Supergirl may not be as affected by "Flashpoint" because that show takes place on another Earth. I'd rather the show stick to what it's good at rather than take these constant tangents that feel more like a lark than anything else. Change is not necessarily a good thing, and this premiere proves that point to a tee. It's not a promising start to a show that has been floundering for a good while now.
- Most of Team Flash gets to have a better life
- This feels like the same thing over and over again
- A lot of the timeline changes don’t make sense
- Barry feels too detached for the audience to care