The Gifted 1.03: eXodus
Rashad Raisani
Scott Peters
This is the first installment not to be written
by Matt Nix, so it may be a better indicator of the tone of the series going
forward. And things certainly slow down
a bit, although there is a conscious attempt to keep mutant abilities and a bit
of action at the forefront. And one has
to admit that the opening scene with Eclipse and Polaris was actually pretty
sweet, and once again it’s very clear why anyone with a pulse would find
Polaris compelling.
It’s worth noting that a lesser series might simply
let the characters tell stories and leave it at that. And most of the conversation is, sadly,
telling rather than showing. But Polaris’
explanation for her wardrobe choices not only add a touch of realism, but they
illustrate that some thought is being put into the expression of the mutant
powers, if not a strict detail on their nature and origin.
Polaris is still struggling in captivity, and
the writers make sure that Blink isn’t a simple solution to the problem by
still having her on the mend. And when
push comes to shove and the matter is forced, it’s just dangerous enough a
proposition to communicate the group’s desperation. I like the fact that the Mutant Underground
isn’t a polished fighting force at all; they simply get by as best they can in
a post-X-Men/Brotherhood world.
But a lot of the episode is basically a retread
of the familiar experiences and challenges for the Strucker family. Reed is the obvious example, as he continues
to cope with the ramifications of turning in innocents for the sake of his
family. And the agents of Sentinel
Services are not even trying to seem reasonable, as they continue to use
personal tragedies as an excuse to persecute and harm.
Caitlin is also still one of the weak links of
the series as she continues to be surprised at the extent and depth of
anti-mutant sentiment in her community and even family. I find it hard to
believe that she was ignorant of her husband’s associations and the life that
feeding into elements of anti-mutant prejudice afforded her family. I want her to wake up quickly because it’s
hard to see any character played by Amy Acker act so dense.
The looming threat is one of narrative stasis;
the parental Struckers constantly learning and re-learning the same lessons
that will help them understand their mutant children better as they get to know
the people helping them to navigate their new reality. Instead of churning those same lessons, why
not have them move on already and be more active in their own “evolution”?
- The exploration of mutant powers on the television screen remains cinematic
- The Struckers are starting to come across as a bit dense