Tyrant 1.03: My Brother's Keeper
Glenn Gordon Caron
Michael Lehmann
During the World
Series, my TV screen was awash with ads for an upcoming series on FX called Tyrant. The ads were vague as to what the show would be about, but
nonetheless I was intrigued to see if this new show would follow in the
tradition of great dramas on FX, a tradition that includes Rescue Me, Sons Of Anarchy, and The
Americans. Tyrant debuted on June 24th. I usually
try to watch three episodes of a show before I make a judgment about whether or
not I will continue to watch it. The third episode of this series debuted
on July 8th. I believe I can make a judgment as to whether or not I will
continue watching it.
Tyrant is a drama set in a
fictionalized Middle-Eastern country and focuses on the two sons of the
President of this fictionalized country, the older of whom is groomed to
inherit the country upon his father's death. The younger son, Bassam
"Barry" Al Fayeed, fled the country, and his family's opulent wealth,
to become a pediatrician in California. Even though he is
strongly opposed to it, Bassam's wife, Molly, convinces Barry to travel back to
the country of his birth, after nearly twenty years of being away, to attend
the wedding of the eldest son of his older brother, Jamal.
Jamal, as it turns
out, is not a very nice person to the citizens of the country he is to inherit,
as well as the people around him. About a half-hour into the pilot
episode, we find Jamal raping a woman in her house with her husband and son sitting
outside the room where this is taking place, hearing everything that goes on.
After he's done, Jamal exits the house set in this impoverished
neighborhood, steps into his clean red Ferrari, turn on some 80's hair metal,
and drives off with his security detail in tow. The rest of the pilot
episode doesn't paint Jamal in a very good light. There is a scene where
Jamal enters a room where his son's soon to be wife is getting ready for the
ceremony. Jamal talks to his soon to be daughter-in-law about how
important it is to his son that his wife be pure, and then reaches up her dress
and breaks her hymen. The reason that he does this is never really
conveyed, other than to make Jamal look like a psycho.
While Jamal is
abusive to all people, Bassam is much different. Bassam stands in stark
contrast to nearly everyone else inside the power structure of this
fictionalized Middle-Eastern country. Bassam wants to solve everything
through talk and mutual agreement, while everyone else seems more
than willing to use their power and influence to put down
any perceived threat by force. In such a situation, Bassam
could serve to calm the fires of dissent that exist among the general populace.
However all Bassam is interested in is getting back to America and away
from his family. Even when his father dies, Bassam cannot be wavered from
this point. It takes Bassam's uncle, the leader of the military in
this fictionalized country, sending armed military forces to the
plane that Bassam tries to flee in to get Bassam to stay for, at the very
least, his father's funeral. The end of the pilot episode of Tyrant sees
Bassam and his family stuck in a situation that Bassam wants desperately to
leave, but is momentarily unable to do so.
The next two episodes
see Jamal ascend to the Presidency upon his father's death.
Jamal's ascension comes despite him being laid up in the
hospital after an assassination attempt involving Jamal drunkenly
driving his Ferrari off of a steep embankment after the woman who he had
previously raped bit through his penis while giving Jamal oral sex in his car
as he is drunkenly driving it. Bassam continues to begrudgingly go along
with his role as consolt to the new President, but comes to accept his role
after he sees the rampant violence inflicted on the military by the populace,
as well as his brother's cruelty to others and wanton sexual depravity.
Bassam stays in the fictionalized Middle-Eastern country, keeping his
family nearby as the emotional support he will need in order to endure his
family and what they have done with their power and wealth.
This all sound like
the basis of a great long-running dramatic series. Many characters with
rich backstories waiting to be unveiled to the watching public, all
in conflict with global political intrigue throughout. The problem comes
with the articulation of the characters that drive this series.
Tyrant was created by Gideon Raff, the creative force behind the Showtime series Homeland. Homeland has received criticism over
the way that it portrays people of Muslims and Middle-Eastern
descent, pointing out how the series portrays some Muslims as being
backward, behind the times, and unfit to exist in decent society.
Some of those same criticisms can be laid at the feet of Tryant, except for one problem:
The vast majority of the characters in Tyrant are of Middle-Eastern descent.
The only characters that aren't of Middle-Eastern descent are the
ambassador from the United States and Bassam Al Fayeed's wife Molly.
The rest of the characters carry the taint of being portrayed in a way
that is, in one way or another, based on some stereotype that the West has of
people of Middle-Eastern descent. That is the problem that I have with
this series.
While the political intrigue in Tyrant is something that I would normally find compelling, the jingoistic portrayal of the people that fill out this series is something that I cannot abide. Tyrant could have served as a way for Gideon Raff to show the deep knowledge of the people that he, as an Israeli, grew up around. However, Tyrant will do nothing to silence those critics, critics that include me.
- The premise isn't entirely bad
- Portrayal of Middle Easterns is terrible
- Characters are little more than stereotypes
- Too much shock for shock's sake